Trisha Baga b. 1985, Venice lives and works in New York. Their immersive large-scale painting installation BODY CLOCK— a constellation of painting, light projections, staged objects, and sculpture— was exhibited at Art Basel Unlimited in 2021. That same year, their video installation HOPE illuminated the façade of Kassel’s Fridericianum on the United States election day. Their work is currently on view in the show HOPE at Museion, Bolzano curated by Bart van der Heide and Leonie Radine; and will be part of The Irreplacable Human, a groupshow at Louisiana Museum of Modern Art in November. Baga’s work has been the subject of solo exhibitions at Pirelli HangarBicocca, Milan; CCC, Carpenter Center for the Visual Arts, Harvard College, Cambridge; Zabludowicz Collection, London; and the Whitney Museum of American Art, New York. Baga has also participated in group exhibitions at ARoS Aarhus Art Museum, Aarhus; Kunsthalle Wien, Vienna; Biennale für aktuelle Fotografie, Ludwigshafen am Rhein; PS1, New York; Centre d’Art Contemporain, Geneva; European Biennial of Contemporary Art, Zurich; and Julia Stoschek Collection at ZKM, Düsseldorf, among many other venues.