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Melanie Smith

1965, Poole

Melanie Smith
Melanie Smith
Profile
Artist, Participant, Speaker
Website
www.melaniesmith.net

Melanie Smith moved from the political and economic tensions of Thatcher’s Britain to Mexico in 1989, where she witnessed the impact of capitalist modernisation, neo-liberal globalisation and hyper-consumerism, the development of an informal economy alongside traditional forms of manufacture, and the ongoing failures of modernity. The two contexts, Mexico, or more broadly Latin America, and Britain, or a wider Anglo-Saxon culture, are central to her work. Smith’s work embraces a range of media but informs them in unique ways with a persistent reference to painting. In her work there is a continuing play between farce (implying absurdity, mockery or travesty) and artifice (meaning both artificiality and deception, and, ultimately, the ‘artifice of reason’), and she applies these concepts to contemporary society. She has described her body of work as a ‘giant palimpsest’ that presents itself on a variety of media that range from video and photography to painting and installation.

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