Carly Whitefield

Carly Whitefield is Senior Curator at LAS Art Foundation, Berlin, where she curated Alexandra Daisy Ginsberg: Pollinator Pathmaker LAS Edition (2023–2026), Marianna Simnett: GORGON (2023), and Lawrence Lek: NOX (2023–2024). Formerly, she was Assistant Curator, International Art, at Tate Modern, where she contributed to Anicka Yi’s Hyundai Commission for Turbine Hall, In Love With the World (2021–2022), Dóra Maurer (2019–2021), and BMW Tate Live Exhibition: Ten Days, Six Nights (2017). She also co-curated the Tate Film cinema, installation and performance programmes, realising interdisciplinary projects such as Enmeshed (2022), Nástio Mosquito: No.One.Gives.A.Mosquito’s.Ass.About.Us (2020), Pan Daijing: Tissues (2019), Nkisi: The Spiral (2019), Tony Cokes: Sound Systems (2019) and Lawrence Abu Hamdan: Walled Unwalled (2018), among others.

Whitefield previously worked as Editorial and Research Associate for Oslo Pilot, and has given lectures for MA programmes at the Royal College of Art, Central Saint Martins, London College of Communication and University of Reading. She received a degree in Cultural Studies at McGill University, Montréal, before completing her Master of Research in Art: Moving Image at Central Saint Martins, London.