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A sequence of family anecdotes and historical events coinciding with the artist’s date of birth takes on a different tone as he unearths what happened in his native Peru on that specific day in 1989. The monotonous pattern of facts pertaining to the 31st of May suddenly begins to unveil connections to notions of oppressive masculinity, the nuanced tactics employed by imperialist forces, and a neoliberal dream that facilitated the neglect of an important episode in Peruvian history.